French Impressionist Painter, 1841-1919 Pierre-Auguste Renoir (February 25, 1841?CDecember 3, 1919) was a French artist who was a leading painter in the development of the Impressionist style. As a celebrator of beauty, and especially feminine sensuality, it has been said that "Renoir is the final representative of a tradition which runs directly from Rubens to Watteau". Renoir's paintings are notable for their vibrant light and saturated color, most often focusing on people in intimate and candid compositions. The female nude was one of his primary subjects. In characteristic Impressionist style, Renoir suggested the details of a scene through freely brushed touches of color, so that his figures softly fuse with one another and their surroundings. His initial paintings show the influence of the colorism of Eugene Delacroix and the luminosity of Camille Corot. He also admired the realism of Gustave Courbet and Edouard Manet, and his early work resembles theirs in his use of black as a color. As well, Renoir admired Edgar Degas' sense of movement. Another painter Renoir greatly admired was the 18th century master François Boucher. A fine example of Renoir's early work, and evidence of the influence of Courbet's realism, is Diana, 1867. Ostensibly a mythological subject, the painting is a naturalistic studio work, the figure carefully observed, solidly modeled, and superimposed upon a contrived landscape. If the work is still a 'student' piece, already Renoir's heightened personal response to female sensuality is present. The model was Lise Tr??hot, then the artist's mistress and inspiration for a number of paintings. In the late 1860s, through the practice of painting light and water en plein air (in the open air), he and his friend Claude Monet discovered that the color of shadows is not brown or black, but the reflected color of the objects surrounding them. Several pairs of paintings exist in which Renoir and Monet, working side-by-side, depicted the same scenes (La Grenouill??re, 1869). One of the best known Impressionist works is Renoir's 1876 Dance at Le Moulin de la Galette (Le Bal au Moulin de la Galette). The painting depicts an open-air scene, crowded with people, at a popular dance garden on the Butte Montmartre, close to where he lived. On the Terrace, oil on canvas, 1881, Art Institute of ChicagoThe works of his early maturity were typically Impressionist snapshots of real life, full of sparkling colour and light. By the mid 1880s, however, he had broken with the movement to apply a more disciplined, formal technique to portraits and figure paintings, particularly of women, such as The Bathers, which was created during 1884-87. It was a trip to Italy in 1881, when he saw works by Raphael and other Renaissance masters, that convinced him that he was on the wrong path, and for the next several years he painted in a more severe style, in an attempt to return to classicism. This is sometimes called his "Ingres period", as he concentrated on his drawing and emphasized the outlines of figures. After 1890, however, he changed direction again, returning to the use of thinly brushed color which dissolved outlines as in his earlier work. From this period onward he concentrated especially on monumental nudes and domestic scenes, fine examples of which are Girls at the Piano, 1892, and Grandes Baigneuses, 1918-19. The latter painting is the most typical and successful of Renoir's late, abundantly fleshed nudes. A prolific artist, he made several thousand paintings. The warm sensuality of Renoir's style made his paintings some of the most well-known and frequently-reproduced works in the history of art..  Related Paintings of Pierre Renoir :. | Madame Renoir and her Son Pierre | Coco Playing | Umbrellas | Pont Neuf, Paris | The Parisian Woman |
Related Artists:
egron lundgren
Egron Sellif Lundgren, född 18 december 1815 i Stockholm, död 16 december 1875 i Stockholm var en svensk konstnär och författare. Hans lite egendomliga förnamn är givet av en omtänksam fader som önskade sin lille nyfödde ett rofyllt liv, eg-ron. Egron Lundgren kan betecknas som den svenska akvarellkonstens fader. Han började först som oljemålare där han utförde genremålningar och historiska framställningar i tidens anda. Under sina många resor till Italien, Spanien och Indien fann han dock sitt rätta uttrycksmedel i akvarellen vars teknik han utvecklade till ett mästerskap. Han bosatte sig i mitten av 1850-talet i London där han hade stora framgångar som porträttmålare. Med London som utgångspunkt företog han sedan ytterligare resor både till Italien och Spanien men även till Egypten och Indien. Hans reportagemålningar från sepoyupproret i Indien anses utgöra en av höjdpunkterna i hans produktion. Hans akvarellteknik utvecklades med åren till en snabb, upplöst teknik i rena, klara färger och lätt penselföring. England med sina dimhöljda öar kom till fullt uttryck i arbetena från hans många resor. Sina sista år tillbringade Egron Lundgren i Stockholm men också därifrån fortsatte han sitt resande. Mest känd för en sentida publik har han blivit genom sina brev och dagboksanteckningar, utgivna under titeln En målares anteckningar 1 - 2 Egron Lundgrens väg i Södra Ängby, Stockholm är uppkallad efter Egron Lundgren.
Julius von Blaas
1845-1923,was an Italian painter, the second son of Karl, born at Albano, Italy. He studied under his father, devoted himself principally to equestrian subjects, and went to Rome where he painted genre scenes from the Campagna. His "Race of Intoxicated Slavonic Peasants" (1869) is in the Imperial Museum of Vienna, as is "Antlassritt" (1899). Julius von Blaas was much employed by the Austrian court as a portrait painter and became professor in the Academy of Vienna.
Dirk Jan van der Laan
painted Cityscape in winter. in between 1790(1790) and 1813(1813)